Ron Williams: Folk Art as Ground Truthing
Through ground truthing, Ron Williams transforms his forestry experiences into vivid—and hefty— brilliant Tremclad folk paintings.
Through ground truthing, Ron Williams transforms his forestry experiences into vivid—and hefty— brilliant Tremclad folk paintings.
When Archie and I started Scrape Magazine almost two years ago, we had one goal in mind: to highlight and support the artists and artisans of Cape Breton. While we […]
The new Arichat Market Place blends business, creativity, and community—we spoke with two owners about their vision.
Rebecca Blankert embarks on a creative journey, blending myth, dreams, folk tales, and craftsmanship in her jewellery
A Q&A with Jacqueline Gerroir on her role in Isle Madame’s creative economy
Lisa Boudreau restores a historic Goyetche family home in Cape Auguet, blending tradition with creativity.
With her fine arts degree in ceramics behind her now, Jody Bender is methodically building a business around her craft.
When we decided to start The Scrape Magazine people said, “Go see Bill Culp.” Even if they didn’t know exactly who he was or what he did they knew that if you’re starting anything in the arts, you need to see Bill.
Beyond its culinary offerings, the café stands as a vibrant community nexus, where local artisans’ works are showcased, and Acadian heritage is preserved and celebrated.
Gerrard Samson is known in the Isle Madame area as the Pen Guy. He recently made his one thousandth pen. We chatted with him at his shop in Arichat.